The Anime Review #2

Darker than Black Eps. 15 & 16

Proof again that DtB is at its best when it remains within the main continuity of its plot. Granted, even more new characters are introduced with Amber and her chums, but they're interesting and relevant rather pointless, dull diversions. We spend more time with November, April and July, fleshing out them out, giving them more legitimacy as supporting cast. Everything flows beautifully, with the various plot threads weaving in and out of each other with obvious skill. These two episodes, much like the previous two, demonstrate how BONES should proceed with DtB's storytelling. This is when it is at its most enthralling, entertaining and meaningful.

The issues raised in this arc, specifically the dynamics between Dolls and Contractors, deal with the real curiosities of the show, too -- the stuff that got me so enthusiastic to begin with. How emotionless are these two sets of people, really? We're constantly given examples of characters that have supposedly lost their humanity behaving and emoting in distinctly human ways. The audience is gradually coming to understand that the supposed maxim of Contractors and Dolls Have No Emotion is obviously false; all we're left to do now is work out why. And if the damn thing gave us a consistent opportunity to do so DtB could be a real classic.

Gurren Lagann Eps. 18 & 19

The time-skip completely annihilated my conceived notions of Gurren Lagann. Originally an energetic mecha show that relished its hyperactivity and demonstrated GAINAX's mastery of the genre, it's now morphed into something distinctly political. True, there's still loads of mecha action, but the real drama comes from the differing ideologies of Rossiu and Simon and the aftermath of their various conflicts. The biggest surprise is that it really seems to be working. I won't deny that considering Gurren Lagann in a more 'sophisticated' way feels awkward, especially in comparison to the breezy excitement of its previous approach, but this new sense of maturity simply works. I would've preferred more time to experience Kamina City and get a real feel for it (thus caring more about its fate), but we're learning more as the show progresses.

Really, Yoko just needs to make a triumphant return - preferably to bust Simon out of jail just as his back is against the wall. Part of me will feel comforted by Gurren Lagann's charming predictability if it actually happens that way. J'aime Yoko~

Mononoke Eps.1 & 2

This season has had a few contenders for Argh Biggest Headfuck and Mononoke just about wins it with the additional advantage of looking like an LSD-induced seizure. While I enjoyed the first episode in an artistic sense, the second really cemented its worth with some actual, tangible plot to hold on to. Some incredibly disturbing, creepy tangible plot, albeit, but incredibly enthralling and entertaining once you click to what's going on. Specifically I loved the sinister histories of the innkeeper and her assistant; the character design of her younger self specifically was gorgeous in its wickedness. My main complaint with this arc is its lack of obvious resolution; or at least my lack of understanding it properly. Granted, Shino chooses to 'give birth' to all the spirits of the aborted children and in that act of kindness seems to placate the Mononoke, but what happened to the innkeeper and her assistant? Were they literally enveloped by the giant eye monster? I was expecting a more direct, brutal form of revenge for those two. Mononoke seems to command countless rewatchings to truly appreciate its meaning, and that suggests it will make a very entertaining show to marathon when it's over. Beautiful, creative and sophisticated; Mononoke has graduated from a mild curiosity into something I really anticipate.

Sayonara Zetsubou Sensei Ep. 4

I think SZS's structure, if anyone would dare use such a word when talking about this psychotic mess of awesomeness, is basically a focus on two students per episode - one for each half. The main benefit we're feeling by this fourth episode, however, is that the cast and their various quirks [personality disorders] are becoming more established. This means the self-referential humour is getting a major boost and we're finally starting to get a feel for the show (rather than it just pounding on our brains until we submit into a quivering incoherent mess, par exemple). Still, even with obvious cues for laughter it's the downplayed moments of bizarreness that get the biggest laughs out of me. Meru might possibly be my favourite student so far, more so than Fuura and her fucked up family history (and potential psychopathy). The OP is probably the best of the season, too. Better than either of DtB's attempts, at least. Bletch.

Comments

[Karura]

Is that arc in Mononoke even over yet? If it's following the same pattern as its predecessor Ayakashi, each arc will be 3-4 episodes in length whilst feeling like it could have been done in 30 minutes.

[Hige]

Hmm potentially it could run on, maybe explain what happens next for Shino etc. but the supernatural element seems pretty concluded. The scene after the credits suggested as much, too...

I'm not sure if it will follow the same tact as Ayakashi, though - its arcs were fully contained with their own specific cast and so on. Mononoke will likely do things its own way now the medicine seller has his own whole series.

[Karura]

You were right- I just looked on wiki and apparently episode three starts the Umibozu arc; also, the medicine seller himself will apparently be the only link between arcs.

[Michael]

Mononoke is awesome. What did I tell you? :3

There's a sub of episode four, but no ep3 yet. Don't ask me why.